YANG JIECHANG

DIE RECHNUNG BITTE

 

Solo exhibition at ARNDT Berlin
May 3 - June 28, 2014


Yang Jiechang and Matthias Arndt on 'Die Rechnung bitte' show at ARNDT Berlin

PRESS: Please find the ARTBERLIN.DE article and video here


Press release

ARNDT Berlin is pleased to present the solo exhibition ‘Die Rechnung bitte’ of the internationally recognized Chinese artist Yang Jiechang in Berlin.
His works are an expression and a result of a sustained questioning and redefining of the own identity refering to diverse cultures, which he encounters with a great directness. Incidental circumstances of diverse places turn to basic elements as the recurrence, overlapping and intersection of disparate images. He chooses major issues as his main theme, but his inspiration and imagination arise from the banal and common objects. His works cover a large span of media and languages (as ink-wash painting, Chinese calligraphy, drawing, photography, installation, performance, sound, music and multimedia).
The title of the exhibition ‘Die Rechnung bitte’ descends from a work of Yang Jiechang, showing a crippled soldier, standing on a peg leg, with his head and right arm bandaged. This work is part of a series in which Yang Jiechang retraces and edits artworks by Adolf Hitler by trying to put himself into Hitler’s position. Hitler’s choice of subject was limited to images of the death, the suffering of his comrades and destruction of villages and monuments. According to Yang Jiechang we see no glorification of war, but just the opposite: For example, the triumphal arc – actually a symbol of victory and heroism – is represented as a destroyed ruin. The artist concludes an “image against the war”. By reciting some of Hitler’s works Yang Jiechang does not attempt to show the dictator but the artist himself: the reversal of something negative to something positive. There is an interplay, but anything than “the trivialization of the bloody madness”.
Yang Jiechangs works represents an interjection to maintain the critical distance to “search the enemy in oneself”. (Martina Köppel-Yang)
In another aspect of his approach he follows the mainstream propaganda, be it in the media context on topics like 9/11, the communist regime or everyday discourses of terror and war. He is using traditional techniques of Chinese painting in a contemporary frame and context.
In his calligraphy-diptych ‘Oh My God’, accompanied by two video installations, the attack of the World Trade Center in New York at September 11, 2001 form the initial point. At this juncture Yang isn’t interested in the aspects of the terror and horror, but rather in backgrounds and verbal expressions of the people, as the exclamation of a New York City citizen at the sight of the destroyed towers ‘Oh My God’. For Yang Jiechang it’s an expression of truth, which is why he picked out this sentence as an initial point for his calligraphy. The Cantonese equivalent ‘Oh Diu’, translated with ‘Fuck’, forms a convenient anti-pole. With his calligraphies he resists the Chinese tradition, to show only positive and beautiful, he rather shows the everyday occurrences, like banes and invectives: for Yang Jiechang words that apply to the whole last century. The language is a basic element in his works, an expression of cultural affiliation.
The installation ‘Underground Flowers’, produced for the twenty-year-old commemoration of the Tian’anmen massacre, where the military stopped protests of students pro-democracy movement in 1989, is a statement of Yang to the occurrence. The world isn’t getting better for him, even if flowers grow from the bones of the killed. The work was first shown at the 10th Biennale of Lyon, France, as in 2010 at S.M.A.K. in Gent, Belgium.

Yang Jiechang (1956 Guangdong, China) studied from 1974-78 at the Foshan Folk-Art Institute in Guangdong, China. In 1982 he graduated from the Chinese Painting department of the Guangzhou Fine Arts Academy, China. He has participated in several solo and group exhibitions in Asia, Europe, USA and Australia since 1988. He lives and works in Paris and Heidelberg.

Please click here to view the List of Artworks

Yang Jiechang, Je ne veux pas travailler (Tale of the 11th Day Series), 2012, Ink and mineral colors on silk, mounted on canvas, 140 x 388 cm | 55.12 x 152.76 in, # YANG0011 Yang Jiechang, Je ne veux pas travailler (Tale of the 11th Day Series), 2012, Ink and mineral colors on silk, mounted on canvas, 140 x 388 cm | 55.12 x 152.76 in, # YANG0011 Yang Jiechang, Die Rechnung bitte,1924-2014, 2014, Ink and acrylic on paper, mounted on canvas, 240 x 126 cm | 94.49 x 49.61 in, # YANG0014 Yang Jiechang, Die Rechnung bitte,1924-2014, 2014, Ink and acrylic on paper, mounted on canvas, 240 x 126 cm | 94.49 x 49.61 in, # YANG0014 Yang Jiechang, Arc de Triomphe (weiss), 1914-2014, 2014, Ink and acrylic on on canvas, mounted on canvas, 152 x 191 cm | 59.84 x 75.2 in, # YANG0022 Yang Jiechang, Arc de Triomphe (weiss), 1914-2014, 2014, Ink and acrylic on on canvas, mounted on canvas, 152 x 191 cm | 59.84 x 75.2 in, # YANG0022 Yang Jiechang, 100 Layers of Ink/ 2, 1993, Ink on Xuan paper and gauze, framed: 108 x 110 cm | 42.52 x 43.31 in, # YANG0021 Yang Jiechang, 100 Layers of Ink/ 2, 1993, Ink on Xuan paper and gauze, framed: 108 x 110 cm | 42.52 x 43.31 in, # YANG0021 Yang Jiechang, 100 Layers of Ink/ 1, 1993, Ink on Xuan paper and gauze, framed: 108 x 110 cm | 42.52 x 43.31 in, # YANG0020 Yang Jiechang, 100 Layers of Ink/ 1, 1993, Ink on Xuan paper and gauze, framed: 108 x 110 cm | 42.52 x 43.31 in, # YANG0020 Yang Jiechang, Important, 2014, Ink and acrylic on canvas, 48 x 68 cm | 18.9 x 26.77 in, # YANG0019 Yang Jiechang, Important, 2014, Ink and acrylic on canvas, 48 x 68 cm | 18.9 x 26.77 in, # YANG0019 Jiechang  Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014 Jiechang Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014 Yang Jiechang, God, 2014, Ink and acrylic on canvas, 43 x 29 cm | 16.93 x 11.42 in, # YANG0018 Yang Jiechang, God, 2014, Ink and acrylic on canvas, 43 x 29 cm | 16.93 x 11.42 in, # YANG0018 Yang Jiechang, Oh,My God, 2002, Diptych, Ink and acrylic on on canvas; with 2 videos: "Oh, My God" and "Oh, Diu" each, 103,5 x 73,5 cm | 40.75 x 28.94 in, # YANG0017 Yang Jiechang, Oh,My God, 2002, Diptych, Ink and acrylic on on canvas; with 2 videos: "Oh, My God" and "Oh, Diu" each, 103,5 x 73,5 cm | 40.75 x 28.94 in, # YANG0017 Yang Jiechang, Oh, My God / Oh Diu, 2002, 2 Videos as a Diptych Oh my God, 2,9 min Oh Diu: 4,08 min, Number 2 from an edition of 5, # YANG0023 Yang Jiechang, Oh, My God / Oh Diu, 2002, 2 Videos as a Diptych Oh my God, 2,9 min Oh Diu: 4,08 min, Number 2 from an edition of 5, # YANG0023 Yang Jiechang, After the Batlle 2, 1915-2015, 2014, Ink and acrylic on paper, mounted on canvas, 40,5 x 52 cm | 15.94 x 20.47 in, # YANG0016 Yang Jiechang, After the Batlle 2, 1915-2015, 2014, Ink and acrylic on paper, mounted on canvas, 40,5 x 52 cm | 15.94 x 20.47 in, # YANG0016 Yang Jiechang, After the Battle, 1915-2015, 2014, Ink and acrylic on paper, mounted on canvas, 102 x 186 cm | 40.16 x 73.23 in, # YANG0015 Yang Jiechang, After the Battle, 1915-2015, 2014, Ink and acrylic on paper, mounted on canvas, 102 x 186 cm | 40.16 x 73.23 in, # YANG0015 Yang Jiechang, Underground Flowers, 1989- 2009, 2009, Human bones made from porcelain 54 wooden boxes with silkprints (each 50 x 50 x 6 cm) wooden shelve with 9 layers, each shelf, 170 x 115 x 168 cm, # YANG0001 Yang Jiechang, Underground Flowers, 1989- 2009, 2009, Human bones made from porcelain 54 wooden boxes with silkprints (each 50 x 50 x 6 cm) wooden shelve with 9 layers, each shelf, 170 x 115 x 168 cm, # YANG0001 Jiechang  Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014 Jiechang Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014 Yang Jiechang, Wie im Himmel so auf Erden (Erde), 2014, Ink and acrylic on paper, mounted on canvas, 227 x 488 cm | 89.37 x 192.13 in, # YANG0013 Yang Jiechang, Wie im Himmel so auf Erden (Erde), 2014, Ink and acrylic on paper, mounted on canvas, 227 x 488 cm | 89.37 x 192.13 in, # YANG0013 Yang Jiechang, Wie im Himmel so auf Erden (Himmel), 2014, Ink and acrylic on paper, mounted on canvas, 227 x 488 cm | 89.37 x 192.13 in, # YANG0012 Yang Jiechang, Wie im Himmel so auf Erden (Himmel), 2014, Ink and acrylic on paper, mounted on canvas, 227 x 488 cm | 89.37 x 192.13 in, # YANG0012 Jiechang  Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014 Jiechang Yang, Die Rechnung bitte, Installation view, ARNDT Berlin, 2014