PSYCHO – ENA SWANSEA & ROBERT LUCANDER
OPENING: FRIDAY, 16 December 2011 at 7 pm
DURATION: 18 December 2011 to 25 March 2012
The Sammlung Falckenberg will bring together US painter Ena Swansea and works by Finnish artist Robert Lucander who now lives in Berlin.
For further enquiries about Ena Swansea please contact info@arndtberlin.com and also visit the website www.sammlung-falckenberg.de
Erik Bulatov "Paintings 1956-2011" Catalogue Raisonnée, vol. 1
The first catalogue raisonné of Erik Bulatov.
Published by Wienand Verlag GmbH, 2012
Edited by Matthias Arndt
Hardcover, ca. 256 pages, ca. 190 colour plates
With an essay by Evgeny Barabanov
ISBN 978-3-86832-073-2
English / Russian
Price 48,00 €
THE EPHEMERAL
Jannis Kounellis, Untitled, 2010, 2010, glass bottles, steel, hooks, coat, 100 x 70 x 19 cm | 39.37 x 27.56 x 7.48 in
The Ephemeral | 4 November 2011 – February 2012
Absalon | Joseph Beuys | Sophie Calle | Joe Coleman | Wim Delvoye | Rebecca Horn | Mathilde ter Heijne | Jannis Kounellis | Heinz Mack | Keisuke Matsuura | Christian Megert | David Noonan | Henk Peeters | Jackson Pollock | Julian Rosefeldt | Matt Saunders | Chiharu Shiota | Miroslav Tichý | Grazia Toderi | Susan Turcot | Franz West | Nick van Woert | Yang Jiechang
ARNDT represents Thomas Hirschorn with his series "Des Larmes" (tears) and one special single work at abc - art berlin contemporary
Thomas Hirschhorn, Ohne Titel , 1998, collage made of wood, plastic foil marker, ballpoint, photo, elements of card, tape, 36 x 27,5 x 2 cm | 14.17 x 10.83 x 0.79 in
ARNDT represents at this year's abc - art berlin contemporary Thomas Hirschhorn. We will show works from his series "Des Larmes" (tears) from 1998 as well as a very special single work titled "Ingeborg Bachmann" also from 1998. Please click here, to view the works.
abc - art berlin contemporary
7 - 11 september 2011
ARNDT is in hall1, wall 20a
Group show "Star Voyager" at acmi, Melbourne
22 September 2011- 29 January 2012
Journey through the fact and fiction of space exploration from Fritz Lang to the moon landing, to Star Trek and Avatar.
ACMI presents the world premiere of Star Voyager: Exploring Space on Screen, a major exhibition charting the history and future of space exploration as experienced through the moving image.
From early films by Fritz Lang and Georges Méliès, through to footage of the 1969 moon landing and recent films such as the Alien series, Moon and Sunshine, the moving image has allowed us to experience what most of us can only dream of.
Combining scientific and documentary footage with feature films and video artwork, the Star Voyager exhibition celebrates an enduring fascination with space travel through the imaginations of artists, scientists and astronauts.
Enjoy a rare opportunity to see real NASA artefacts used in space plus film production materials, including costumes from Star Trek, Austin Powers and Total Recall. The exhibition also features an exciting new work, developed here in Melbourne, allowing visitors to explore the surface of Mars in 3D.
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Premiere at the Jewish Museum Berlin: Meine Heimat ist ein dunkles wolkenverhangenes Land
Julian Rosefeldt, My home is a dark and cloud-hung land, 2011, 4-channel film installation, HD, transfered to HD-SR and BluRay disc, Aspect ratio 16:9, Loop ca. 30 min
On the occasion of the group exhibition "How German is it?" at the Jewish Museum Berlin the new four-channel film installaton „My home is a dark and cloud-hung land" by Julian Rosefeldt will be on view. The exhibition runs from from 16 September 2011to 29 January 2012.
30 Artists' Notion of Home
Celebrating Ten Years of the Jewish Museum Berlin
The exhibition "How German is it?" shows works by 30 artists on topics such as family and collective memories, national myths, religion and experiences of migration. Room installations, video- and filmworks, photo series, paintings and graphic prints will be presented. Among the artists are Via Lewandowsky, Julian Rosefeldt, Paul Brody, Arnold Dreyblatt, Misha Shenbrot, Anny and Sibel Öztürk and Raffael Rheinsberg and Lilly Engel, who have been commissioned to produce pieces for this exhibition.
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"Eye to Eye Subjecter" on view at n.b.k. Neuer Berliner Kunstverein, Berlin
Thomas Hirschhorn, Eye to Eye-Subjecter, 2010, Mannequin, dress, paper print, brown tape, transparent tape, wood: approx., 420 x 530 x 930 cm | 165.35 x 208.66 x 366.14 in, HIRS0562; exhibition view "Kunst & Philosophie" at NBK, Berlin, 2011, Photo: Anna Kowalska
"Art and Philosophie"
n.b.k. Neuer Berliner Kunstverein, Berlin
Group exhibition
3 September – 30 October 2011
Documentary: GILBERT & GEORGE: THE URETHRA POSTCARD ART
Gilbert & George, THE URETHRA POSTCARD ART at ARNDT Berlin , 2011
GILBERT & GEORGE
THE URETHRA POSTCARD ART
30 April – 27 August 2011
Please click here, to watch a wonderful documentary on the exhibition with Gilbert & George.
"American Night" at the Australian Centre for the Moving Image (acmi) in Melbourne from 21 June to 31 July 2011
Julian Rosefeldt, American Night (II -VII)2009, 2009, from the film: American Night (set of 9 motives), framed each 55 x 90 cm | 21.65 x 35.43 in
Exhibition runs Tuesday 21 June – Sunday 31 July, 2011
A five channel installation that embraces the conventions of the Western film genre, American Night (2009) deconstructs the myths surrounding the foundation of America and offers a scathing commentary on recent US foreign policy.
Entry is free. For further information visit www.acmi.net.au
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Thomas Hirschhorn - UPCOMING EXHIBITIONS FALL 2011
"Kunst und Philosophie"
n.b.k. Neuer Berliner Kunstverein, Berlin
3 September - 30 October 2011
Opening 2 September 2011
"Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance"
Dublin Contemporary 2011
6 September - 31 October 2011
"ERRE Variations Labyrinthiques"
Centre Pompidou-Metz
10 September 2011 - 5 March 2012
"The Uncanny Familiar. Images of Terror"
C/O Berlin. International Forum For Visual Dialogues, Berlin
10 September - 4 December 2011
"September 11"
MoMA PS1, Long Island City, New York
11 September 2011 - 9 January 2012
Solo show
La Douane, Galerie Chantal Crousel, Paris
22 September - 25 November 2011
Inhotim, Belo Horizonte, Brazil
6 October 2011 -
Solo show
Kurt-Schwitters Preis
Sprengel Museum Hannover
20 November 2011 -
UPCOMING CONFERENCES:
Schaulager Basel
18 November 2011
Institut für Gegenwartskunst, Zürich
1 December 2011
Princeton
December 2011
Thomas Hirschhorn represents Switzerland at the 54th edition of the Venice Biennial
Thomas Hirschhorn, “Crystal of Resistance”, 2011, Swiss Pavilion, Venice Biennale, Venice, Italy, 2011; Photo Romain Lopez
Thomas Hirschhorn, “Crystal of Resistance”, 2011, Swiss Pavilion, Venice Biennale, Venice, Italy, 2011; Photo Anna Kowalska
Thomas Hirschhorn, “Crystal of Resistance”, 2011, Swiss Pavilion, Venice Biennale, Venice, Italy, 2011; Photo Romain Lopez
Thomas Hirschhorn, “Crystal of Resistance”, 2011, Swiss Pavilion, Venice Biennale, Venice, Italy, 2011; Photo Anna Kowalska
We are pleased to congratulate Thomas Hirschhorn for representing Switzerland at the 54th edition of the Venice Biennial.
His work "Crystal of Resistance" will be on view until 24 November 2011.
Karsten Konrad participates the group exhibition ABSTRAKT //// SKULPTUR at the Georg-Kolbe-Museum, Berlin from 26 June to 4 September 2011
Karsten Konrad, Bella Macchina, 2011, chrome steel, mdf with mirror pvc, 98 x 120 x 110 cm | 38.58 x 47.24 x 43.31 in
ABSTRAKT //// SKULPTUR
Gruppenausstellung zur neuen Abstraktion in der zeitgenössischen Skulptur.
Mit Werken von:
Cristian Andersen
Florian Baudrexel
Wolfgang Flad
Martin Flemming
Nadja Frank
Amélie Grözinger
Knut Henrik Henriksen
Gregor Hildebrandt
Olaf Holzapfel
Jeroen Jacobs
Isabel Kerkermeier
Thomas Kiesewetter
Karsten Konrad
Gereon Krebber
Alicja Kwade
Wilhelm Mundt
Manfred Pernice
Bettina Pousttchi
Thomas Scheibitz
Felix Schramm
Katja Strunz
Johannes Weiß
Etwa hundert Jahre ist es her, dass die Kunst – zumindest in Teilen – ungegenständlich geworden ist. Ein Monopol hatte die Abstraktion seitdem nie, aber es gab Zeiten wesentlicher Marktbeherrschung, auf die dann wieder figürliche Gegenbewegungen folgten. Die Oppositionen abstrakt / figurativ und Formalismus / Realismus waren vor allem in der Nachkriegszeit nicht nur künstlerisch sondern auch gesellschaftlich ideologisch besetzt. Eine Generation, die nach 1990 ihre prägende künstlerische Sozialisation erfuhr, fand jedoch die Abstraktion als weitgehend entideologisiertes Konzept vor, das weder politischen noch ästhetischen Reinheitsgeboten mehr unterlag. Die Vor- und Nachkriegsmoderne ist für die hier behandelte Generation von Künstlerinnen und Künstlern ein Steinbruch mit unterschiedlichen Lagerstätten, die im Sinne des musikalischen Samplings neu miteinander kombiniert werden können, um sie einer aktuellen Lesart zu unterziehen. Werke aus den letzten zehn Jahren dokumentieren die Aktualität einer Neuen Abstraktion im Spektrum der Gegenwartskunst.
ABSTRAKT //// SKULPTUR wurde kuratiert von Marc Wellmann und ist die erste Überblicksausstellung aktueller ungegenständlicher Bildhauerei in einer deutschen Institution. Die Werke treten dabei in Dialog mit den Plastiken Georg Kolbes, einem der bedeutendsten figürlichen Bildhauer der Moderne.
Wir bedanken uns bei der freundlichen Unterstützung durch folgende Galerien:?401contemporary, Arndt, Lena Brüning, Buchmann, Contemporary Fine Arts, Hammelehle und Ahrens, Koal, Johann König, Gebr. Lehmann, Sommer & Kohl, Wendt & Friedmann und Wentrup.
KATALOG: Zur Ausstellung erscheint ein Katalogbuch mit Texten von Marc Wellmann und Juliane Kobelius. 64 Seiten, Format: 24 x 16,5 cm, Hardcover.
Verkaufspreis in der Ausstellung: 12 Euro
Die Publikation wurde ermöglicht mit freundlicher Unterstützung der Sammlung Peters-Messer, Viersen.
ART HK 11
Gilbert & George, FLAG BOY, from the series: Urethra Postcard Pieces, 2009, mixed media, unique, signed and dated, 88 x 123 cm | 34.65 x 48.43 in, # GILB0111
ART HK 11 will take place from 26-29 May 2011 at the Hong Kong Convention and Exhibition Centre.
Booth 1C08
This time on 100 square meters we will be showing a solo presentation by GILBERT & GEORGE as well as an extra booth with works by SOPHIE CALLE, WIM DELVOYE, FX HARSONO, JITISH KALLAT, LIU XIAODONG, VIK MUNIZ, CHIHARU SHIOTA, NEDKO SOLAKOV, NATEE UTARIT and WANG GUANGYI.
Karsten Konrad is part of the group exhibition "abstract confusion" at b-05 art- and culture center in Montabaur, Germany, from 15 May to 14 August 2011
Karsten Konrad, Exhibition view of "abstract confusion" at b-05, Montabaur, May - August 2011
Karsten Konrad, Blue Bajou, exhibtion view "abstract confusion" at b-05, Montabaur, May - August 2011 , 2010, wood, coated chipboard, metal, plastic, ceramic, 170 x 123 x 110 cm | 66.93 x 48.43 x 43.31 in
The exhibition "abstract confusion" gathers 22 current outstanding artistic positions from the last ten years where one can see a clear development of new abstraction. This exhibition will present stars from the scene for example, Frank Nitsche and Thomas Scheibitz and newcomers such as, Wolfgang Flad and Shannon Finnley.
The current theme "abstraction" is elevated and the exhibition will provide one an overview of our contemporary abstract tendencies throughout all media. The theme will unfold itself through painting, photography, sculpture, installations and videos out of the abstract context. What is the specific "new" in new abstraction? What does it mean when artists turn to abstraction? Is it turning away from reality or is there an underlying aesthetic utopian counter development?
SAVE THE DATE
Gilbert & George, BIG BEN FLAGSKY, from the series: Urethra Postcard Pieces, 2009, mixed media, unique, signed and dated, 123 x 88 cm | 48.43 x 34.65 in, GILB0041
GALLERY WEEKEND BERLIN - 29 APRIL to 1 MAY 2011
THE URETHRA POSTCARD ART OF GILBERT & GEORGE
OEPNING on 29 April 2011 from 4 to 9 pm
Nearly four decades after their first exhibition of Postcard Art, and twenty years after their last group of pictures made of selected postcards, Gilbert & George returned to this medium to make an extensive group of 564 new pieces. Typical postcard topics such as the Union Flag, landscapes, the Royal Family and tourist destinations, are complimented by telephone box cards and flyers, which are mainly focusing on prostitution. 52 pictures from this single largest group of art works by Gilbert & George will be exhibited at ARNDT Berlin from 29 April 2011.
A two-volume set catalogue published by Prestel illustrates all 1.004 new "The Urethra Postcard Pictures" and early Postcard Pictures (1972–1989), most of which have not yet been catalogued or exhibited before.
Michael Bracewell describes the significance of this body of work in his contribution for the catalogue as follows: “In their sheer visual intensity, the extremism of their language and above all the forceful unity of their composition, THE URETHRA POSTCARD PICTURES both extend the POSTCARD ART of Gilbert & George as a specific form, and comprise one of the most powerful, mesmeric and intensely conceived and created groups of artworks that the artists have ever made.”
Further information on the available works:
Postcard Pictures
Telephone Box Pictures and Flyer Pictures
Thomas Hirschhorn - Website announcement: www.crystalofresistance.com 54th International Art Exhibition in Venice
Thomas Hirschhorn, website announcement: www.crystalofresistance.com for the 54th International Art Exhibition in Venice
Dear Friend,
would like to announce you that the website www.crystalofresistance.com has just been launched today:
- This website has been created to inform on my work «Crystal of Resistance» exhibited at the Swiss Pavilion on the occasion of the 54th International Art Exhibition in Venice, June 4 (public opening) – November 27, 2011,
- You can find there all kind of documents: texts, interviews, photos, sketches, and videos about «Crystal of Resistance»,
- The website will be updated continuously before and after the opening of the Biennale, and is time-limited: it will stay online for several months only (closing end January 2012),
- This website is neither an artwork, nor part of the artwork: «Crystal of Resistance»,
- This website has a "press-kit" section where everybody can download a zip archive which contains pictures and texts that they can (freely) use for publication
Take care, Take care
Thomas Hirschhorn
Thomas Hirschhorn participates the group exhibition "French Window. Looking at Contemporary Art through the Marcel Duchamp Prize" at the Mori Art Museum, Tokyo, Japan, 2011
Thomas Hirschhorn, Spinoza Car,"French Window: Looking at Contemporary Art through the Marcel Duchamp Prize", installation view: Mori Art Museum (2011/3/26-2011/8/28); Photo: Watanabe Osamu; Photo Courtesy: Mori Art Museum, 2009, Car, wood, paint, tape, cardboard, paper, marker, ball-point pen, transparent foil, stickers, books, magazines, prints, plastic toys, fans, mirrors, ceramic objects, clocks, audio cds, electric wire, lamps, notebooks, car gadgets
Exhibition:
"French Window. Looking at Contemporary Art through the Marcel Duchamp Prize"
Mori art Museum, Tokyo, Japan
26 March to 28 August 2011
For ten years, an elite association of contemporary art collectors known as ADIAF has hosted what has become one of France’s most prestigious art awards, the Marcel Duchamp Prize. To celebrate the award’s first decade, this exhibition presents the work of 28 artists, including all of the winners of the Grand Prix, selected finalists and also Duchamp himself.
The exhibition’s title refers to Duchamp’s well known work Fresh Widow, which depicts a French window, and a similar theme is continued through the show’s five sections: "Duchamp's Window," "The View from the Window," "The Window of Time and Space," "The Window of the Inner World" and "Inside the Window." Together, they provide a comprehensive view of the contemporary French art scene. The exhibition begins with important works by Duchamp himself, and then presents the esprit of contemporary French art through a selection of paintings, sculptures, photographs, installations and videos made by artists of diverse ages and cultural backgrounds. The final section includes a re-creation of a French collector's apartment, complete with artworks.
The exhibition provides an opportunity to experience contemporary French art as it exists today – a unique expression of the nation’s psychological landscape – and at the same time it provides insight into how the collectors of this art incorporate it into their own lives. We hope visitors are inspired to contemplate for themselves the nature of art and life as well as the role that collectors can play in any art scene.
Karsten Konrad at the Polish Institute of Berlin "Ultramoebel"
Publication: Anton Henning, 2011
Anton Henning, Interieur No. 478 (AH 2011-015), 2010, Öl auf Leinwand | oil on canvas 157,3 cm x 188,2 cm , Gerahmt | framed: 191 x 222 x 8 cm | 75.2 x 87.4 x 3.15 in , HENN0343
This book was published on occasion of Anton Henning's solo exhibition "Stilfragen /Questions of Style" 2011 at ARNDT
Self-published by ARNDT
57 pages, many colour plates
unbound hardcover
German / English
Price 20 €
JITISH KALLAT - group show “Indian Highway IV” at musée d’art contemporain de Lyon
Jitish Kallat, Baggage Claim, 2010, acrylic on Canvas, bronze, triptych overall dimension 243,8 x 518,2 cm | 95.98 x 204.02 in, # JKAL0025
The two triptychs ‘Baggage Claim, 2010 (243,8 x 518,2 cm) and ‘Baggage Claim, 2010 (243,8 x 518,2 cm)’ by JITISH KALLAT from our show „Likewise“ will be included in the exhibition “Indian Highway IV” at the Musée d’Art Contemporain de Lyon from 24 February until 31 July.
Ralf Ziervogel Prestel KUNSTWERKSTATT releases catalogue
Kunstwerkstatt Ralf Ziervogel
hard cover, 72 pages, 22,5 x 26 cm
60 colour plates
ISBN: 978-3-7913-4295-5
€ 25,00 [D]
Publisher: Prestel
Ralf Ziervogel - group show: Kunsthalle Emden
16 April to 17. July 2011
Zwischen Film und Kunst
Storyboards von Hitchcock bis Spielberg
Martin Scorsese, David Lynch, Quentin Tarrantino, Ralf Ziervogel u.a.
Kunsthalle Emden
RALF ZIERVOGEL - group show „Tous cannibales“ at La Maison Rouge in Paris
RALF ZIERVOGEL will be part of the group show „Tous cannibales“ at La Maison Rouge in Paris from 12 February until 15 May. The show will be travelling to Berlin and on view at the ‘me Collectors Room’ from 28 May until 18 September.
William Cordova - La Conservera, Murcia/ Spain
William Cordova, yawar mallku (royalty, abduction & exile), installation view at La Conservera, Murcia/ Spain
until 15 May 2011
On view to the general public from February 4th, this latest project features individual shows by the artists Pilar Albarracín (Seville, Spain, 1968), William Cordova (Lima, Peru, 1971), Kalup Linzy (Florida, USA, 1977) and Francesco Vezzoli (Brescia, Italy, 1971). Starting with this series, the Sala Verónicasgallery becomes La Conservera’s fifthspace, with an exhibition by the French artists Brice Dellsperger(Cannes, France, 1972) and Jean-Luc Verna (Nice, France, 1962). This show will open on Wednesday February 2nd.These six artists share common concerns and interests, They all project themselves through characters drawn from the history of art, literature, popular culture, the star system or soap operas. To a certain extent the series focuses on the demonopathic syndrome of double personality, the splitting of the artist into different physical and psychic entities. The body, gender, identity, sexuality and desire are some of the topics addressed. For William Cordova, Brice Dellsperger, Kalup Linzy, Jean-Luc Verna and Francesco Vezzoli these are their first solo exhibitions in Spain.
ARNDTNEWS XIII
GALLERY NEWS
We are pleased to announce our forth show with Anton Henning: on 25 February at 6 pm Anton Henning will present new works under the title „Questions of Style“ (26 February to 20 April 2011).
Parallel we will show in our viewing room a film by Josephine Meckseper.
From 2 to 8 March ARNDT will participate at the Armory Show, New York. Showing there, at Pier 94 Booth 1103, works by Sophie Calle, Wim Delvoye, William Cordova, Josephine Meckseper, Vik Muniz, Gilbert & George, Jon Kessler and Enrique Martínez Celaya. As well as a presentation of the work of Erik Bulatov, including a central piece and important drawings will be on view.
ARTIST NEWS
SOPHIE CALLE’s exhibition „True Stories“ on the occasion of her award of the Hasselblad Price will be on view in Göteborg until 13 February.
In Brussels at the Palais des Beaux Arts (Bozar) the exhibition JACK FREAK PICTURES by GILBERT & GEORGE will run until 23 January. Following the exhibition will open at the Deichtorhallen Hamburg on 25 February.
On 20 January MATHILDE TER HEIJNE’s most comprehensive show of her work “Any Day Now”, lastly on view at the Nuernberger Kunsthalle, will open at the Lentos Kunstmuseum, Linz. The exhibition will be on view until 27 March.
The work „Das Auge (The Eye)” by THOMAS HIRSCHHORN will be sown at The Power Plant in Toronto from 9 March. The work, which was co-produced by us in 2008 for the Wiener Sezession, will be on view until 29 May – Thomas Hirschhorn will hold an artist talk in Toronto on 23 February.
JULIAN ROSEFELDT’s solo show “Making Of: Film Installations and Photo Works 2004–2010” at DA2 – Domus Artium, Salamanca has been extended until 6 March.
RALF ZIERVOGEL will be part of the group show „Tous cannibales“ at La Maison Rouge in Paris from 12 February until 15 May. The show will be travelling to Berlin and on view at the ‘me Collectors Room’ from 28 May until 18 September.
The two triptychs ‘Baggage Claim, 2010 (243,8 x 518,2 cm) and ‘Baggage Claim, 2010 (243,8 x 518,2 cm)’ by JITISH KALLAT from our show „Likewise“ will be included in the exhibition “Indian Highway IV” at the Musée d’Art Contemporain de Lyon from 24 February until 31 July.
Thomas Hirschhorn - Das Auge (The Eye) at The Power Plant in Toronto
Thomas Hirschhorn, Das Auge, 2008, Mixed media; integrated text, to take away, „Flat Red Flag“, by Manuel Joseph, circa 600m², Exhibition view: Thomas Hirschhorn, Isa Rosenberger, Miklós Erhardt, Secession, Vienna, 2008, HIRS0449
The work „Das Auge (The Eye)” by THOMAS HIRSCHHORN will be sown at The Power Plant in Toronto from 9 March. The work, which was co-produced by us in 2008 for the Wiener Sezession, will be on view until 29 May – Thomas Hirschhorn will hold an artist talk in Toronto on 23 February.
Mathilde ter Heijne - Any Day Now - solo show at LENTOS Kunstmuseum Linz, Austria
21 January - 27 March 2011
LENTOS Kunstmuseum Linz
Ernst-Koref-Promenade 1
4020 Linz, Austria
The survey exhibition Mathilde ter Heijne. Any Day Now, which has been conceived in close cooperation with
the artist, presents a diverse selection of works from the past twelve years.
The exhibition will be accompanied by an artist’s book (104 pages, German/English, Verlag für moderne Kunst
Nürnberg). In addition to reproductions of the works and extensive source material, the catalogue comprises
interviews with Mathilde ter Heijne and introductory texts to the artist’s themes. The exhibition and artist’s
book have been produced in cooperation with Kunsthalle Nürenberg.
Solo exhibition at DA2 DOMUS ARTIUM 2002, Salamanca
Julian Rosefeldt, Making Of (The Ship of Fools), 2007, lightjet print from the film: The Ship of Fools, framed 60 x 80 cm | 23.62 x 31.5 in, edition of 6 + 2 AP
EXHIBTION EXTENDED UNTIL 06 MARCH 2011!
7 October 2010 - 16 January 2011
Julian Rosefeldt's films carry the viewer away into a surreal, theatrical world whose inhabitants are caught in the structures and rituals of everyday life. Despite their enigmatic subject matter and the precision of their production, Rosefeldt’s films are charged with slapstick and satire.
In “Making Of” eight film installations by Julian Rosefeldt will be accompanied by 40 photographic works, illustrating his opulent film work created since 2001. The exhibition sheds light on central themes and motifs, and traces the development of the artist’s oeuvre.
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Publication: The Complete Postcard Art of Gilbert and George
A double volume publication, reproducing the entire POSTCARD ART works created by Gilbert & George, with an essay by Michael Bracewell, is published by Prestel to accompany the exhibition helt in 2010 at ARNDT and further venues.
Language: English
1080 pages, 1006 colour plates
Hardcover
ISBN-10: 3791351168
ISBN-13: 978-3791351162
EUR 49,90
The catalogue is available at Amazon (free delivery included).
Too Too - Much Much - solo show by Thomas Hirschhorn at Museum Dhondt-Dhaenens, Deurle, Belgium
Sophie Calle The 2010 Hasselblad Award Winner
Sophie Calle, Portrait Sophie Calle, Photo: Yves Géant
French artist SOPHIE CALLE from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The prize, consisting of SEK 1,000,000 (approximately EUR 100,000) a diploma and a gold medal will be presented to Sophie Calle on Saturday 30 October 2010 at a ceremony at the Göteborg City Theatre. In conjunction with the ceremony an exhibit of the award winner's work, Sophie Calle - 2010 Hasselblad Award Winner will open at the Hasselblad Center at the Göteborg Museum of Art.
NEDKO SOLAKOV is on view at the Kunstverein Amsterdam and also part of the group exhibitions “By Day, By Night,” Rockbund Museum, Shanghai, China, curated by Hou Hanru, and “A Place out of History” at the Museo Tamayo Arte Contemporaneo, Mexico City.
Duration of the exhibition at Kunstverein Amsterdam: 18. September - 21. November 2010
Duration of the exhibition at Rockbund Museum: 25 October 2010 - 03 January 2011
Duration of the exhibition at Museo Tamayo Arte Contemporaneo: 21 September 2010 - 6 March 2011
Jack Freak Pictures - Gilbert & George at the Palais des Beaux Arts, Brussels, from 28 October 2010 until 23 November 2011
‚Contrepoint, l’art contemporain russe – De l’icône à l’avant-garde en passant par le musée’ group exhibition with Erik Bulatov at Musée du Louvre, Paris
Erik Bulatov, Liberté, Collection Oliver et Betrand Loquin, Photo: Jean-Alex Brunelle
ERIK BULATOV is part of the exhibition “Contrepoint, l’art contemporain russe – De l’icône à l’avant-garde en passant par le musée” at the Musée du Louvre in Paris. The exhibition runs from 14 october 2010 to 31 January 2011.
'The Right to Protest' - Josephine Meckseper is part of the group exhibition at the Museum on the Seam, Jerusalem, as well as in the SARJAH Biennale, curated by Suzanne Cotter and Rasha Salti
Duration of the exhibition: 14 October - 30 November 2010
ARNDTnews VIII
GALLERY NEWS
ARNDT announces the next show: Julije Knifer
ARNDT is proud to announce the next show, a solo exhibition by Julije Knifer, 10 December to 5 February 2011. The opening will be on 9 December 2010, 6pm to 8pm.
ARNDT at Art Basel Miami Beach
We are looking forward to participate at Art Basel Miami Beach. Our booth, hall C, B24, will show new works by Ena Swansea, Vik Muniz, William Cordova, Enrique Martinez Celaya, Jitish Kallat as well as Muntean/ Rosenblum, Karsten Konrad and Thomas Hirschhorn.
ARNDT publishes catalogue raisonné Erik Bulatov
In collaboration with the art book author Kristin Rieber ARNDT is collaborating on a catalogue raisonné of the paintings by Erik Bulatov. The date of publication for the catalogue raisonné, created on behalf of the artist
and published by Matthias Arndt, will be June 2011. The publishing house has yet to be announced. We kindly ask for the submission of works.
For download of the complete ARNDT News VIII, please click here.
"American Night" at BFI London, until 6 November 2010
Karsten Konrad at Künstlerhaus Bethanien, Berlin from 24 September to 10 October 2010
Embedded Fetish by Thomas Hirschhorn at the 8th Gwangju Biennial
Ena Swansea selected for the “Corrida Goyesque”
Ena Swansea, Rendering for "Goyesque project", Arles 2010
For the last few months I’ve been working on an exceptional, odd, outsized and kind of unique project.
It’s an extended contemplation on two fields: the ritual and culture of bullfighting and opera brought together, via my own hot-house flower kind of approach.
The inspiration and the site for these projects is the antique and notable Roman arena of Arles, France. It was built in about 1 B.C and has now been magnificently restored. It holds 25,000 people.
The project will unfold in two parts. For the first event in September, I am honored to be the only American artist ever selected to create the “Goyesque,” a giant sand painting covering the entire floor of the arena, roughly the scale of a football field. For one day, this ancient arena becomes my canvas for a monumental and site specific painting, that will be executed overnight, unveiled in the morning, and dissipate by afternoon.
In the tradition of ‘Corrida Goyesque,’ named in honor of Francisco Goya, starting at 5 pm, step by step, vuelta after vuelta, the slow but sure annihilation of my sand painting will be enacted under the ephemeral choreography created by matadors and bulls. By 8 pm the painting will be no more.
At the other end of the arena, there will be an orchestra and 200-person choir, performing a section of the opera Carmen, before the bullfight begins.
Since childhood, this culture has occupied my imagination and created a desire to think about its mystery, through images. Bullfighting remains enigmatic, and even has shown itself to be more so, during the past year as I made a continual study about this ritual. First there is the feeling that one can never know the bull. He has charged throughout history, alone or mythically saddled with a man’s body from the neck down, (as Picasso imagined himself, the magnetically irresistible Minotaur, etc) and the legs of a domesticated servant. During the faena, the last part of the bullfight, we most poetically see two figures tightly entwined, before the touch of death.
“Young men dream of wrapping the bull around their waist.” - Garcia Lorca
This project searches for a place in contemporary art where the ancient art of corrida is alive and in the world today.
Part 2 of my work in this site will occur in June, 2011 and will be installed in the 60 upper arches of the same arena.
Here I hope to address the architecture of this building itself, ornamenting it, as the Romans did. Just as my painterly action will remain only fleetingly as a fixed composition until the dramatic and unpredictable corrida takes the stage, the activity of the city surrounding these arches has changed dramatically over the course of many centuries in time. Long ago the requisite Roman statues that stood in these upper arches were knocked out, and now, the newly glowing stone has been restored and readied to support art, just as it did when it was first built. Thus, I will install a series of character personifications, echoing the missing statues, to dramatically revive a classic narrative that also originates from this setting.
Based on Georges Bizet’s opera Carmen, which concludes with Carmen’s death in front of a bullfighting arena, my version for Arles will star the actress Isabelle Huppert as Carmen. In June I produced the initial photo shoot for this project in Paris.
The piece can be revealed through the 60 arches in contemporary cinematographic time, as 60 frames of film. It asks for comparison to Roman temple friezes, where the action unfolds in chopped up moments, perhaps repeating an action, perhaps moving forward in the jumping progression of Proust's magic lantern.
This installation is a meditation on the opera, converted into contemporary art. In a way it is Carmen without music. But there will be some music. As part of the project, renowned Flamenco guitarist and composer Gregorio Ibor-Sanchez will write a transposed Carmen, allowing the story to reassert itself with a very different, Gypsy musical foundation. This special contribution to the Arles project will be performed at the opening in June 2011. - Ena Swansea
Mathilde ter Heijne - Any Day Now - solo show at Kunsthalle Nürnberg
Mathilde ter Heijne, Postcard detail from "Woman to go", 2005
Mathilde ter Heijne, Mathilde ter Heijne, exhibition view "Any Day Now" - single show at Kunsthalle Nürnberg
Mathilde ter Heijne, Mathilde ter Heijne, Mathilde ter Heijne, exhibition view "Any Day Now" - single show at Kunsthalle Nürnberg
Mathilde ter Heijne, Mathilde ter Heijne, Mathilde ter Heijne, exhibition view "Any Day Now" - single show at Kunsthalle Nürnberg
16. September bis 14. November 2010
Opening: Wednesday, 15 September, 8 pm
Greeting: Ellen Seifermann, Leiterin der Kunsthalle Nürnberg
Introduction: Dr. Harriet Zilch, Kuratorin der Ausstellung
Performance of Mathilde ter Heijne and Jen Ray
The survey exhibition Mathilde ter Heijne. Any Day Now, which has been conceived in close cooperation with
the artist, presents a diverse selection of works from the past twelve years.
The exhibition will be accompanied by an artist’s book (104 pages, German/English, Verlag für moderne Kunst
Nürnberg). In addition to reproductions of the works and extensive source material, the catalogue comprises
interviews with Mathilde ter Heijne and introductory texts to the artist’s themes. The exhibition and artist’s
book have been produced in cooperation with LENTOS Kunstmuseum Linz. The exhibition – with a distinctive
selection of works – will be shown in Linz from 21st January to 27th March 2011.
Charles Sandison – SYSTEMATIC – group show at Projectspace 176 – Zabludowicz Collection
Charles Sandison, installation view of “Reading Glass” and "Blind Watchmaker” at Projectspace 176, Zabludowicz Collection; Photo: Stephen White
SYSTEMATIC
group show at Projectspace 176
Zabludowicz Collection
1 July - 15 August 2010
For Systematic, Sandison has developed two existing works, adapting them for the idiosyncratic architecture of 176. In Reading Glass, the full stops of a text emerge from the flaws and irregularities of the room and come together to form the words of Charles Darwin’s On the Origin of Species (1859). Their behaviour mimics that of bacteria, coming together, reproducing and dying out, as they spell one word after another, eventually going through Darwin’s entire text. The design of the letters is based on handwriting samples from Sandison’s daughter at the time when she was learning to write.
The Blind watchmaker (2005) borrows its title from a computer program developed by the evolutionary biologist Richard Dawkins in 1986, which is now used by the police to construct portraits of missing people. The program analyzes photographs to predict the way an individual would look at a later age. Sandison has reversed the programme to recover the features of a newborn’s face from photographs of adults.
Jitish Kallat's Public Notice 3 im The Art Institute Chicago
Jitish Kallat, Public Notice 3, 2010, LED lights, site-specific installation at im The Art Institute Chicago
11 September 2010 to 02 January 2011
In the first major presentation in an American museum of Jitish Kallat’s work, the contemporary Indian artist is preparing a site-specific installation that connects two key historical moments – the First World Parliament of Religions held on September 11, 1893 in Chicago, and the terrorist attacks at the World Trade Center and the Pentagon on that very date, 108 years later. The resulting work, Public Notice 3, creates a trenchant commentary on the evolution, or devolution, of religious tolerance across the 20th and 21st centuries.
Robot Dreams - group show with works by Jon Kessler at Museum Tinguely
Jon Kessler, Kessler's Circus, 2009, installation; Courtesy Fondazione Sandretto Re Rebaudengo; © 2010 Jon Kessler; exhibition view 2010, Daniel Spehr, Basel
Robot Dreams
An exhibition in cooperation with Kunsthaus Graz
Museum Tinguely
9 June to 12 September 2010
Kunsthaus Graz
09 October to 20 Febuary 2011
Olacak - a project by Mathilde ter Heijne and Kartal Women's Products Market
Mathilde ter Heijne, Olacak a project by Mathilde ter Heijne and Kartal Women's Products Market
Opening: Wednesday, July 14 - 18:00 ( At 19.00 Monika Bulanda will sing 'Snake Power')
Mathilde ter Heijne internationally renowned for her confrontative multi-media installations is presenting her latest project developed during her stay at Platform Garanti Contemporary Art Center Istanbul Residency Program.
Pursuing her interest in exploring the image of women in society, the artist was drawn to the 'Women's Products Market' organized by the not-profit organization Foundation for the Support of Women's Work (FSWW) and Kartal Municipality, which recently opened in the district of Kartal and where local women sell their handcrafted products. Ter Heijne gave each of the women a piece of fabric and asked them to apply their skills and express their dreams, hopes, or frustration. Each piece was to become the segment of a snake.
In Christian culture the snake is the symbol of the inferiority of women, which is exactly why Ter Heijne chose it as the symbol of empowerment for the women of Kartal. Initially the women were a little skeptical, but as they started grasping that this snake stood for networking, for helping and supporting each other, more and more women wanted to participate. Currently the snake is about 25 meters long.On the 18th of June, the women paraded their snake in Kartal, from where they took the train and boat to Beyoğlu and ended their walk at DEPO, Tophane.
Ter Heijne asked the women a lot of questions about themselves. Their answers have been turned into a rap song by musician and rap singer Monika Bulanda whose song ‘Snake Power’ accompanied the snake walk acoustically. The snake and the song will be on display at DEPO between the 14th and 24th of July.
Intensif-Station – 26 Artist's Rooms in the K21 - Group show with works by Thomas Hirschhorn
Thomas Hirschhorn, "Intensif-Station", 2010 Exhibition view: "Intensif-Station", K21 Ständehaus, Düsseldorf, 2010; Photo: Romain Lopez
10 July 2010 – 04 September 2011
K21 Ständehaus, Düsseldorf
The Kunstsammlung am Grabbeplatz will reopen its refurbished and expanded building. An opening celebration will take place on 10 July 2010 at the Ständehaus, where the presentation Intensif-Station – 26 Artist's Rooms in the K21 will be on view until 04 Septembre 2010. In 26 different rooms, installations and ensembles of works owned by the Kunstsammlung will be supplemented by new rooms.
This exhibition was named after an installation by Thomas Hirschhorn which bears the same title, and whose theme is the intensity of the art experience.
“Perpetual Battles”, Baibakov Art Projects, Moscow, 2010
Thomas Hirschhorn, Exhibition view : “Perpetual Battles”, Baibakov Art Projects, Moscow, 2010
“Perpetual Battles”, Baibakov Art Projects, Moscow, 2010
Group exhibition with works by Thomas Hirschhorn until 25 July 2010
Jitish Kallat's "Untitled (When will you be happy)" at Skulptur i Pilane in Tjorn, Sweden
Jitish Kallat, Untitled (When will you be happy), 2010, resin, steel, 200 feet, Skulptur i Pilane in Tjorn, Sweden
Kallat's 100 foot long sculpture 'Untitled (When will you be happy)’ is installed at Pilane’s ancient burial grounds and consists of eighteen alphabets, shaped like bones, that appear to be reminiscent of unearthed relics or prehistoric skeletal remains of an extinct animal found during an archeological excavation. The bone and the re-fashioning of the skeletal structure have recurred through Kallat’s sculptural practice over the years. The exhibition is on until 3rd October, 2010.
VIVA LA REVOLUCION: A DIALOGUE WITH THE URBAN LANDSCAPE - WILLIAM CORDOVA
William Cordova, „Lumumba-zapata (bpp vol. ii, no. 25, Sunday, march 9, 1969”, 2006, 6000 reprinted and boundled newspapers, reprinted photographs, stones, Until 2 January 2011 this work is included in the group exhibition ‘Viva la Revolucion: A Dialogue with the Urban Landscape’ at the Museum of Contemporary Art San Diego
18 July 2010 to 02 Januray 2011 at MCASD Downtown, Jacobs Building
A multifaceted exhibition that explores the dialogue between artists and the urban landscape, Viva la Revolución: A Dialogue with the Urban Landscape features works both in the Museum’s galleries as well as at public sites throughout downtown San Diego.
Exhibiting Poetry Today : Manuel Joseph - solo show by Thomas Hirschhorn
Exhibiting Poetry Today : Manuel Joseph
Until 26 September 2010
At CNEI (Centre national de l'estampe et de l'art imprimé), Chatou, France
A catalogue is accompanying the exhibition:
Exhibiting Poetry Today : Manuel Joseph - Format 21 × 29,7 cm - 512 pages – contributions by Alexandre Costanzo, Thomas Hirschhorn, Manuel Joseph, Olivier Quintyn, Marcus Steinweg – edited by: cneai= / Xavier Barral
Théatre Précaire by Thomas Hirschhorn at Les Ateliers de Rennes - Biennale d’art contemporain until 18 July 2010
Black Pam Pan XX (loose fit) at the Landesgartenschau
On the occasion the Landesgartenschau in Sachsen-Anhalt, Ralf Ziervogel created his public sculpture „Black Pam Pan XX (loose fit)“, 2010, curated by Peter Lang
Location: DB HBF, Aschersleben (Sachsen-Anhalt)
Opening: 24.04.2010, 2 p.m. at the main station
Duration: 25.04.2010 - 10.10.2010
JULIAN ROSEFELDT is the winner of this year’s Vattenfall Contemporary 2010
The prize is assigned in cooperation with the Berlinische Galerie, Berlin, and includes not only an acquisition by the art collection of Vattenfall but also considers a solo exhibition with the artist at the Berlinische Galerie accompanied by a publication. The opening of the exhibition and the award ceremony takes place on Friday, 30 April 2010 at 7 p.m. at the Berlinische Galerie
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2010 WHITNEY BIENNIAL 25 FEBRUARY TO 30 MAY 2010
Josephine Meckseper is participating at this years Whitney Biennial
An interview with the curator Francesco Bonami, with an Biennial Preview and Artist Photos has been publiched in:
Interview magazine
"Waste Land" won the Panorama Audience Prize
Vik Muniz was born in São Paulo in 1961. He is widely regarded to be one of Brazil’s most significant contemporary artists. He makes use of all sorts of material – including food and rubbish – in order to create his large works of art; he has also often demonstrated his dedication to social issues.
In WASTE LAND Lucy Walker provides a record of one of his most elaborate projects – an installation in ‘Jardim Gramacho’, one of the largest garbage dumps in the world. The dump is located on the outskirts of Rio de Janeiro, where the poorest of the poor live. Many of these people earn a living from.
One of them is Tiao, a charistmatic dreamer who has founded a Catadores cooperative; bookworm Zumbi, who is a real intellectual, or eighteen-yearold Suelen, who is already mother of two children and is pregnant with a third. She’s been working at the rubbish dump since she was seven years old and is proud that she has never had to work as a prostitute.
Guided by Vik Muniz, they create extraordinary work of art which involves them shaping of self-portraits in and from the rubbish. The work changes not only their view of themselves, but also their view of the world. and the alchemy of the human spirit.
Screenings of WASTE LAND in the Panorama Section:
13.02.10 International 17:00
14.02.10 CineStar 7 14:30
19.02.10 CineStar 7 22:30
21.02.10 Colosseum 1 15:30
Works from the "Pictures of Garbage" by Vik Muniz are on view through 13 March 2010 in the group show "A Long Way From Home".
Publication: Gilbert & George "Jack Freak Pictures", 2009
This book was published on occasion of Gilbert & George "Jack Freak Pictures" first solo exhibition in Berlin at Arndt & Partner.
Publisher: Hatje Cantz, Ostfilern; Texts by Michael Bracewell, graphic design by Gilbert & George
English / German
2009. 176 pp., 153 color ills.
30,80 x 25,10 cm
clothbound
ISBN 978-3-7757-2505-7
Price 25 €
JACK FREAK PICTURES by Gilbert & George on tour at various European institutions
Gilbert & George, JACK FREAK PICTURES, exhibition view at Arndt & Partner, Berlin 2009
After the successful presentation of the JACK FREAK PICTURES at Arndt & Partner Berlin in 2009, the series will be touring to following European institutions from 2010 through 2012.
Centro de Arte Contemporáneo (CAC) Málaga, Spain (5 Feb to 9 May 2010)
Museum of Contemporary Art, Zagreb, Croatia (10 June to 26 Sept 2010)
Palais des Beaux Arts (Bozar), Brussels, Belgium (28 Oct 2010 to 23 Jan 2011)
Deichtorhallen, Hamburg, Germany (24 Feb to 22 May 2011)
Lentos Kunstmuseum, Linz, Austria (17 June to 9 Oct 2011)
Laznia Centre for Contemporary Art, Gdansk, Poland (10 Nov 2011 to early Feb 2012)
Handwritten text on icon: The Investment (the money pouch)
Nedko Solakov, The Investment (the money pouch), 2008, acrylic and black drawing ink on gilded carved lime wood, 77 x 83 x 9,5 cm /30,31 x 32,68 x 3,74 in, SOLA0766
Once upon a time there were two investors living in a kind of (financial) paradise. One of them occupied a lovely meadow full of gorgeous flowers and friendly plants while the other preferred to live in the underground part of the same meadow, where the no-less-gorgeous-and-friendly roots of the same flowers and plants also provided a wonderful habitat. Needless to say, the two investors had a common business, too – a pretty conservative one, in a way even the most conservative and old-fashioned business one could find in those days: just a big pouch with a lot of cash in it.
The strange thing was that even though they argued constantly about other things, on that one – to keep the cash in the pouch in the old-fashioned way and not to place it into much more profitable financial operations – they had a silent agreement.
Then a crisis came. It was a devastating time and, like most other investors in the world, the two business partners lost a lot. But all the time, while desperately trying to save their assets, they had in the back of their heads that there was this huge money pouch full of cash that would guarantee their lives and the existence of their families.
There was just one thing that they didn’t take into account –the money pouch, their precious investment, the last hope they had, happened to have its own life and plans for the future as well. And there was no place in the pouch’s plans for the two investors. For a long time she had been dreaming of starting her own business without the two humans and, thanks to the crisis, she got it. “But we love you!” the two investors were trying to comprehend the new situation, an almost impossible task.
Erik Bulatov "O" 2009
This book was published on occasion of Erik Bulatov's first solo exhibition in Berlin at Arndt & Partner.
Published by Kerber Verlag, Bielefeld 2009
Edited by Arndt & Partner Berlin / Zurich
Hardcover, half-linen, 72 pages, many colour plates
With an essay by Damien Sausset
ISBN 978-3-86678-234-1
German / English / Russian
Price 20 €
Publication: Anton Henning, 20 Jahre Dilettantissmus…2008
This book was published on occasion of a solo exhibition of Anton Henning at Arndt & Partner Berlin 2008
Publisher: Richter Verlag, Düsseldorf, 2008
Edited by Arndt & Partner Berlin / Zurich
Language: German / English
Hardcover, 120 pages, many colour plates
With a text by Joerg Bader
ISBN: 978-3-937572-90-1
Price 28 €
Jonas Burgert "Gift" 2008
Publications: Muntean / Rosenblum
This book was published on occasion of a solo exhibition of Muntean/Rosenblum at Arndt & Partner, Berlin, 2008.
Publisher: Kerber Verlag, Bielefeld, 2008
Language: English / German
Hardcover
84 pages, many colour plates
With contributions by Mark Gisbourne und Abraham Orden
ISBN: 978-3-86678-167-2
Price 28 €
Publication: Muntean/Rosenblum: Make Death Listen
Published by JRP Editions in cooperation with MUSAC, Museo de Arte Contemporáneo de Castilla y Léon.
Contributions by Augustin Perez Rubio, Barbara Steiner and Andrew Renton
182 pages, 130 in colour
Language: English or Spanish
Published with the support of Arndt & Partner Berlin/Zurich
ISBN-10: 3905701987
ISBN-13: 978-3905701982
Publication: Yannick Demmerle "Motels", 2007
Joe Coleman "Internal Digging", 2007
Published by KW Institute of Contemporary Art in Berlin Germany to accompany the solo exhibition.
Foreward by Susanne Pfeffer, essays by Woodard and Markus Muller. Interview with Joe Coleman by Susanne Pfeffer
Supported by Arndt & Partner
202 pages, color reproductions throughout
English
Publisher: Walther Konig, Koln
ISBN-13: 978-3865602800
Publication: Josephine Meckseper
Publisher: Hatje Cantz,Ostfilern
Edited by Marion Ackermann, foreword by Marion Ackermann, interview with the artist by Simone Schimpf, texts by Okwui Enwezor, Christian Höller
German/ English
168 pages, 140 illustrations, 112 in color
25,10 x 30,70 cm
hardcover
ISBN 978-3-7757-1986-5
Price 25 €
Erik Bulatov "Train-Train" 2007
This book was published on occasion of a solo presentation of Erik Bulatov at FIAC Art Fair 2007
Publisher: Kerber Verlag, Bielefeld 2007
Edited by Arndt & Partner Berlin / Zurich
Hardcover, half-linen, 52 pages, many colour plates
With a text by Erik Bulatov and an interview with the artist by Damien Sausset
ISBN: 978-3-86678-107-8
English/French
Price 20 €
Publication: Douglas Kolk
Publication: Christopher Orr
A catalogue has been published to accompany his solo exhibition.
Publisher: Revolver
With a text by Martina Weinhart
Language: German / English
40 pages with colour plates
soft cover
ISBN-10: 3-86588-142-4
ISBN-13: 9783865881427

























